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Our top tips for
buying tickets safely
Check artists’ socials and sites
Artists will always link to official ticket sellers in posts on their social media and official websites – these should be the first places you try. We often rely on search engines and trust the first results we see, but the website at the top of the results isn’t necessarily an official ticket seller. This just means the website pays a lot of money to companies like Google.
If you find tickets on a website like Viagogo, or social media, it’s important to know that they aren’t being sold directly by the artist or promoter, but by another person who’s decided the price themselves.
Know the risks of buying second-hand
It’s often the only option for music fans when shows are sold out, but buying a second-hand ticket always comes with risks. In fact, 60% of gig-goers buying tickets from the resale market are worried about being sold fake ones – and for good reason.
Platforms like Viagogo might offer fans a full refund if they get scammed, but they can’t guarantee entry to the show. FOMO isn’t fun, and neither is being out of pocket for other plans you’ve made around the event, like travel and hotels.
Sell through fan-to-fan platforms with price caps in place
Many music fans have a real need to resell a ticket when they can no longer make a show – after all, life happens. But how they resell it matters. There are fan-to-fan platforms, like Twickets and Ticketmaster’s resale marketplace, where tickets can be resold for no more than the price originally paid (plus fees).
Other platforms like AXS have a cap in place of 10% above face value, to protect fans from exploitative touts. This helps to keep a fairer playing field for genuine fans and stops the prices of second-hand tickets from spiralling way beyond their face value
What do we know today?
£145 million
one in five
Almost 50%
72%
How O2 and the government are fighting for fairer ticketing, together
Our history
O2 officially joined the fight for fairer ticketing back in 2017 when it became a part of the FanFair Alliance – the UK-based campaign against industrial-scale online ticket touting, supported by managers and teams for artists including Arctic Monkeys, Ed Sheeran, Biffy Clyro, Pixies, Iron Maiden, George Ezra, Keane, PJ Harvey and Niall Horan.
Through our Priority platform, we sell over 1.5 million tickets a year to O2 and Virgin Media customers for some of the country’s biggest shows – including Dua Lipa, Beyoncé and many more. We also sponsor 20 of the UK’s best music venues.
But despite blocking thousands upon thousands of bots from the platform, we still see tickets taken out of the hands of true fans and resold by greedy touts at extortionate prices. We’re committed to campaigning for better protection in place for our customers and gig-goers everywhere.
Last year, O2 released research which showed ticket touts were fleecing music fans by an extra £145 million per year, and in March this year it launched Stamp It Tout, designed to help music fans buy tickets safely and without being ripped off.
Bastille’s frontman, Dan Smith, talks about why he’s supporting Stamp It Tout.
FAQs about O2 and our involvement
Why does O2 care about this issue?
We sold over 1.5 million tickets on our Priority Tickets platform in 2024 – a 12% increase on the same period in 2023 – and we’re not slowing down in 2025.
It’s important to us that those tickets really do reach our customers.
What is O2 doing to fight touts?
We stopped over 50,000 suspected bots from entering our Priority platform in just six weeks last year.
But it’s still not enough – we know touts are constantly looking for ways to exploit the system to snap up tickets and resell them at inflated prices.
That’s why last year, we called for tougher legislation, clearer information during the resale process and better identification of ticket resale platforms on search engines. We’re pleased the government is on the same page.
* The figures from the YouGov survey have been weighted and represent all UK music fans aged 18+. The total sample size was 2044 adults for the July ’24 survey and 2005 for the December ’24 survey. Fieldwork for the July survey was undertaken 11–16 July ’24, and for the December survey, 29 November–5 December 2024. The survey was carried out online.
Data was weighted according to the dimensions of gender, age and geography based on an ideal weighting from Statistics UK, so that the results represent the population in relation to the aforementioned target group.
** The £145m figure was analysed independently by Virgin Media O2 and cleared by YouGov. The figure was calculated using UK Music’s Here, There and Everywhere 2023 report and YouGov survey data.
Read more about previously released research from O2 on the topic of secondary ticketing at the Virgin Media O2 newsroom: Ticket Touts Costing Music Fans an Extra £145m Per Year